I was in the fifth grade when I drew my first political cartoon. Okay, I did not draw it on my own, I had a collaborator. It was a mildly vicious caricature of Richard Nixon standing atop a pile of rocks over a pile of voters who had been crushed under the Landslide Victory of 1972. Two things strike me about that time: first the hollow eyes my associate drew on our cartoon president were something that would stick with me forever. Second, we had no idea at that moment just how much scarier things would get over the next two years, leading up to the resignation of that Landslide Winner.
Before that time, I had been an observer of politics, spurred on by my parents' liberal bias and my own skeptical vision of the world that featured a war in Vietnam and a two-term Republican president who had promised to deliver safety to those he referred to as "the silent majority." My family was not part of that group, nor was most of the city in which I lived back then, Boulder, Colorado. I waded in the headwaters of the tie-dye river that flowed through Chicago to New York City and west to the shores of that mystical oasis known as The Bay Area.
Fifty-plus years later I find myself picking up signs that I have drawn myself to participate in yet another No Kings Day march. I realized as I picked up my marker to try and capture the essence of the convicted felon who has usurped King Richard the Crook as The Worst President Ever that I had never attempted to capture the visage of The Orange Worst.
And those hollow eyes came to mind. Lifeless eyes. And I remembered how hard it was for me to comprehend that Nixon had been elected to a second term. With those hollow eyes. And how we had re-elected another crook fifty years later. Then I thought of all the life that had been strained from the eyes of all those crushed voters by both these "presidents."
My avocation as an editorial cartoonist and op-ed creator began back in those dark days, and somehow I have found something to write and draw about ever since. Something is always out there, waiting to rear its ugly head. I suppose I should be grateful that currently evil is so easy to spot.
And to draw.