It should be noted that Martin Scorsese said that Marvel movies are like theme parks. For this Oscar-winning director, they are not cinema. He didn't mention DC movies. Perhaps because the latest entry into what was once the DC cinematic universe, Joker, would not be considered by most a theme park. The distinct lack of capes is also a tipoff. And unless you believe that sustaining repeated beatings a super power, then there isn't a lot of that on hand either.
But there is a lot of Scorsese.
Back in 1976, Martin Scorsese made a little film called Taxi Driver. It tells the story of a loner, searching for meaning in a troubled world with an equally troubled mind. Somewhere along the line, this loner, Travis Bickle, gets it into his head that he can affect change himself by becoming a vigilante. To say that the trouble starts there would be an understatement, but more on that later.
In 1981, Scorsese did a comedy remake of Travis' story. In King of Comedy, we watch a loner searching for meaning in a troubled world with an equally troubled mind. The kidnapping of a talk show host does take place with a toy gun, but the obsession in this one is no less intense, and the laughs don't come easily.
In the years between those films and Joker came John Hinckley Jr. and his own obsession with Taxi Driver star Jodie Foster that brought him to attempt to assassinate President Ronald Reagan. Fans of coincidence may note that this attempt occurred one month after King of Comedy was released. Then there was the mass shooting in Aurora, Colorado in a movie theater where the killer called himself "The Joker." That was in 2012. Four years after Heath Ledger received a posthumous Oscar for his portrayal of, well, you're probably way ahead of me by now. The Joker.
Into this timeline drops Joaquin Phoenix, who has already won both a Golden Globe and a Screen Actors Guild award, for playing The Joker. In his acceptance speech, Phoenix describing standing on Ledger's shoulders. I would like to believe that if Todd Phillips, who is nominated for directing this best picture nominee, will confess to using a little bit of Scorsese to sweeten his mix. This would include putting Robert DeNiro, the King of Comedy Taxi Drivers, in his film as talk show host Murray Franklin. Somewhere in this gritty bit of cinema is an origin story. An interview with the BBC suggests that Martin Scorsese was once asked to direct Joker. He turned it down, saying “For me, ultimately, I don’t know if I make the next step into this character developing into a comic book character. You follow? He develops into an abstraction. It doesn’t mean it’s bad art, it’s just not for me…The superhero films, as I’ve said, are another art form. They are not easy to make. There’s a lot of very talented people doing good work and a lot of young people really, really enjoy them.”
The billion dollar box office would suggest it's more than just young people.
Scorsese's Irishman, starring Robert DeNiro is also up for Best Picture. Now that's a coincidence.
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